The dot is both the mark and the meaning.

Discipline as conceptual position

Mimi works exclusively in hand-applied pointillism — not as a nod to Seurat but as a self-imposed constraint that makes every dot a visible record of attention.

The practice resists acceleration. Each composition is built through color relationships that only become legible at a certain density — a density that cannot be rushed.

Her position in contemporary art is grounded in originality of method: pointillism as live conceptual content, not historical citation or decorative register.

Patience is not a virtue here — it is the material.

Rhythm accumulates through placement, not speed. The surface does not announce itself finished — the work does.

Slow Marks — Group Show

A curated exhibition of process-led contemporary practices. Venue and dates to be announced.

Institutional engagements

Selected group exhibitions, curatorial invitations, and studio open calls — an ongoing record of the practice entering public discourse.

Dot Frequency — Solo Presentation

First solo presentation of six works from the inaugural collection. Studio gallery, New York.