Extreme close-up of a pointillist painting surface, hundreds of precise ink dots in deep aubergine and soft lavender arranged in concentric arcs, diffuse north-facing studio light revealing the slight topography of each applied mark, warm ivory ground visible between clusters
Extreme close-up of a pointillist painting surface, hundreds of precise ink dots in deep aubergine and soft lavender arranged in concentric arcs, diffuse north-facing studio light revealing the slight topography of each applied mark, warm ivory ground visible between clusters
• First Collection

Six works. One sustained conversation with color.

Each piece built dot by dot — color relationships accumulating across the surface until the rhythm becomes visible. A body of work, not a sampling.

Full flatlay of a finished pointillist painting on warm ivory ground, dense field of deep aubergine and midnight blue dots building into an organic elliptical form at center, diffuse north-facing studio light, no shadows at edges, entire surface visible
Full flatlay of a finished pointillist painting on warm ivory ground, dense field of deep aubergine and midnight blue dots building into an organic elliptical form at center, diffuse north-facing studio light, no shadows at edges, entire surface visible
Full flatlay of a square pointillist painting, soft lavender and pale grey dots forming a slow horizontal drift from dense center to sparse edge, diffuse studio light, warm ivory canvas visible beneath lighter passages
Full flatlay of a square pointillist painting, soft lavender and pale grey dots forming a slow horizontal drift from dense center to sparse edge, diffuse studio light, warm ivory canvas visible beneath lighter passages
Close flatlay of a small pointillist panel, tightly packed crimson and ochre dots forming a dense circular cluster on ivory ground, diffuse north-facing studio light, edges of canvas visible
Close flatlay of a small pointillist panel, tightly packed crimson and ochre dots forming a dense circular cluster on ivory ground, diffuse north-facing studio light, edges of canvas visible
Close flatlay of a small pointillist panel, midnight blue and teal dots arranged in slow diagonal bands across ivory ground, diffuse studio light, sparse passages between bands leaving ground visible
Close flatlay of a small pointillist panel, midnight blue and teal dots arranged in slow diagonal bands across ivory ground, diffuse studio light, sparse passages between bands leaving ground visible
Close flatlay of a small pointillist panel, soft rose and grey dots forming an asymmetric arc across ivory ground, diffuse north-facing studio light, the arc opening toward the lower-right corner of the canvas
Close flatlay of a small pointillist panel, soft rose and grey dots forming an asymmetric arc across ivory ground, diffuse north-facing studio light, the arc opening toward the lower-right corner of the canvas
Close flatlay of a small pointillist panel, deep forest green and raw umber dots building a vertical column that widens at center then narrows again, diffuse studio light, warm ivory ground between each mark
Close flatlay of a small pointillist panel, deep forest green and raw umber dots building a vertical column that widens at center then narrows again, diffuse studio light, warm ivory ground between each mark
/ The Works
No. 02 — Pale Drift

Acrylic on canvas. 60 × 60 cm. 2024. A lateral migration of lavender into silence — the ground reads as part of the composition.

No. 01 — Aubergine Field

Acrylic on linen. 80 × 100 cm. 2024. Dot clusters in deep violet and midnight layered over a warm ivory ground — color visible only at close range.

No. 03 — Ember Core
No. 04 — Tide Band
No. 05 — Open Arc
No. 06 — Vertical Pulse

Acrylic on panel. 40 × 50 cm. 2024. Warm spectrum compressed into a single concentrated form.

Acrylic on canvas. 40 × 50 cm. 2024. Diagonal rhythm built from two tones held at equal tension.

Acrylic on linen. 40 × 50 cm. 2024. An arc that does not close — the pause between dots as compositional weight.

Acrylic on panel. 40 × 50 cm. 2024. A single vertical axis, breath visible in the spacing between marks.

Extreme close-up detail of a pointillist canvas surface, artist's hand holding a fine-tipped brush mid-application, a single deep aubergine dot being placed among existing marks, north-facing diffuse studio light revealing each dot's slight raised edge, warm ivory ground between marks clearly visible
Extreme close-up detail of a pointillist canvas surface, artist's hand holding a fine-tipped brush mid-application, a single deep aubergine dot being placed among existing marks, north-facing diffuse studio light revealing each dot's slight raised edge, warm ivory ground between marks clearly visible
— Mark and Pause

The dot is the unit. The interval is the structure.

No work in this collection was finished by speed. Each mark is placed, assessed, and followed by a pause — the negative space between dots is not absence but decision.

Collectors viewing at distance read rhythm. At close range, they read the individual choice. Both readings are the work.

Inquire About a Work

A work is ready when it speaks clearly.

Inquiries from collectors and gallery professionals are welcome. Reach the studio directly to discuss availability, dimensions, or exhibition consideration.

The Mimi Dots

Each dot is a choice. Every pause is deliberate.

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(C) 2026 The Mimi Dots-Each piece is ready when it speaks clearly.